half-year: half-clouded
horizon, old thoughts cast new
loops around half-moon
Today begins our Family Poetry Project, brainchild of Number Three, in which each family member writes a poem a day for the duration of the school summer holidays. Can we keep it up? We are going to use a selection of prompts. Today I made a haiku per Mindlovemisery’s Menagerie.
Tag: moon
if not a goddess
Blackbird’s Patience
Time has not passed for me
in years or even seasons, moonrise
or sunset, river flood or ice-sharp howl
To wait as I have is only suspension
of wing-beat, heartsong—in my dreams
I walk the earth but my voice is gone
Wizard still strings his words in dullness
Crone sits staring, opens blue jar and sniffs
My girl will come back—To have her back!
But I’ve seen her across unbridged river
settled for what humans call love, forgetting
bright belief like autumn’s rotted leaves
Autumn Spells
My heart falls and falls. She smiles
like a flower under glass, fading
far from native earth and sun and sky
I give her home, children, garden, love
but longing follows her like a shadow
wakes me in the night to see her walking
at the forest’s edge, staring hard across
moon-bright water, listening—for what?
—fingers open, reaching, empty.
Ars Poetica
I expected more
but you will sit dozing
in the garden
as if this spectrum
from green to forsythia
were reason enough for being
You won’t rise to the rhythm
of truck-springs, dove-throated
scoldings; you come begging
on moth-wings for dew-drops
or even candleflame, snapping
up any crumb of praise dropped
between cracks while prating
of moonlight and blackbird song
If this kind of drowsy bee-hum
is the nectar you had in mind,
who would sip from it?
It tastes of mower-drone
inelegant clang and clatter
of construction on the next corner
whirr of what—saws? And the chairs
need repair; weeds sprout in the flags
My dear tone-deaf old thing
the blackbird is trying to teach you
while you lie there dreaming
you can sing
and fly
The NaPoWriMo Day 15 prompt is to write a poem that addresses itself.
End of the European Adventure
Café umbrellas blooming (sunny days);
the gabled houses leaning eave to eave;
these lofty steeples watching maze-like ways
and cobbled fountain squares—how can I leave?
The castles standing lonely, hillsides strewn
with sheep; the mountains’ shawls of mist and snow;
the rustic doorways framing stars and moon
and shadowed cypress, olive groves below;
medieval city walls and Roman baths
in crumbled ruins; art and music born
and raised sublime; the bird- and brook-sung paths
through ancient forests—oh! for these I’ll mourn,
for now it’s time to turn and time to pack.
(I’ll nurture dreams for joyful journey back.)
Silvester
Tonight
Strange, how I can see the hilltop town
lights many miles away and the headlights
of distant cars twinkling as they move down
switchback loopy roads—glittering stars
to the steady planetary glow of the towns.
But no, the planets move and so they are
the cars and the towns the fixed-star definers
of the sky: the hills are there and there. Strange,
to tell myself I am here, tonight, in Italy.
(I have to keep telling myself.) For I have seen
hills before and hilltop towns before. True
there are cypresses, tall thin shadows in this
deepening night, but I have seen stone houses
before and olive trees before. I have felt
gusty fall breezes before, seen cloud-shrouded
full moon before. I have drunk Italian wine
before. But on this chill night in this gusty breeze
under this cloud-shrouded moon, with the warm
light through the doorway of this stone house
above this olive grove (with this glass of Italian
wine in my hand), I know I am here, and am glad.
Girl and Bat: A Poem for Two Voices*
Half-dreaming
against full moon
Dusky-nightmare
mission
Shadow soaring
over skylight
Mistaken
exploration!
Wing-swept wind
above my nose
Heart frantic-beating
It’s from this
skimming smallish jerky largish
creature
Get it Let me
out!
I can’t see! I’m afraid!
She’s more afraid of me?
*Performance note: I have adapted the format used by Paul Fleischman in his wonderful Joyful Noise. The poem can be read aloud by two readers at once, one taking the left-hand part, the other taking the right-hand part. The poem is read from top to bottom; lines at the same horizontal level are spoken simultaneously, and lines in the center column are spoken in unison.
Moon
A sea-storm of cloud over just-dark:
brightness beneath, bats whispering
the air out of reach, breath held
breeze rattles black cherry
and the moon-rim rises, pulls clear
quivering against blue-black
Something more than five hundred
full moons I’ve been alive and why
this one night it transfixes me—
How many of those hundreds have I
completely ignored, blind to looking,
blinder to not be transfixed?
If it were ten times brighter, twenty
times, would I not soon forget it
just the same? Take all for granted:
bat-wing silence, leaves unfurling
in daylight, the rise and fall of waves,
countless fruits dropping to the ground
What good is it to notice the fruit
if I don’t look up to the tree? What good
is it to be transfixed by the moon
in a sea-storm cloud with you in bed
waiting for me to lower the blinds?
Inspired by last night’s moon-sky and a little interchange I had with Meg at Pigspittle, Ohio about Noticing.